Welcome Back Bookfests! Happenings across the Globe

Literary Festivals and Contemporary Book Culture by Millicent Weber

A Little Back Story

Like most performing arts, literary and book festivals are slowly returning in a new, hybrid format that includes both live in-situ and remote online audiences. As one of my favourite indulgences, hearing authors read and talk about their work is something I find captivating, inspiring and uplifting. I am not alone in this experience, as a good deal of qualitative and mixed method research projects are beginning to unearth and demonstrate similar outcomes, not least of which is Dr Millicent Weber’s multi-site ethnography of various events in Australia, USA, UK and beyond.

While Millicent Weber’s (2018) book emerged in the couple of years pre-pandemic, the insights remain valid and can certainly still inform event planners and researchers alike, going forward. They did, in fact, help to inspire and inform my own mixed methods ethnography of audience experiences at the Ninth Belfast Book Festival, 2019. Here are a few extracts from my dissertation – I found the project exciting and enjoyable and hope that comes across! Firstly, where did book and literary festivals spring from?

“…While book signings have been part of author promotion for decades, the consumption of literary festivals operates on a much more expanded level, with their diverse programmes and a more interactive dynamic between audiences and presenters.  This world of Literary and Book Festivals displays both cultural and commercial aspects, and is linked to an upsurge in reading groups, to the recent expansion of the Independent Book Shop industry, and with the tendency towards arts promotion through the festival model, globally…”

What are book festivals for? For authors…

“…Authors spend a good deal of time on tour when promoting a new release and as such are becoming more and more like musicians and others in the performing arts. Book sales and book signings have become ubiquitous features of all events that form literary festivals…”

And for book lovers, it’s…

“…the informative, inspirational and pleasurable qualities of event experiences, feeling combinations of being ‘fired up’ and ‘spellbound’… It was also clear that the Festival provides many patrons with opportunities to connect socially and to share celebrations with family and friends…”

Ultimately…

“…Literary festivals are open for business: for authors to engage with their audiences; for aspirational audiences who desire personal growth and wellbeing; for organisations with plans for social engagement; and for marketers who seek to help consumers fulfil their needs, hopes and dreams…”

Here is a little potted summary of the project findings:

• motivations and experiences were described by audience members across three emergent categories:
• Cognitive-cultural (knowledge, empowerment and literary activism);
• Emotional (inspiration, feelings, passions, hero worship and author charisma);
• Social (connecting and sharing resonant atmospheres in ritualised, liminal spaces of escape).

(click here or on the image below to view my presentation on the design, findings, insights and recommendations).

What do urban literary audiences really want? from Roberta McDonnell

What’s happening around the world?

Finally, book and literary festivals are thriving again as Dream Vacation Magazine has listed the Top 25 literary festivals worth a visit – I’m choosing Berlin next, travel permitting… what’s your choice?

Happy Reading

Picking up on Poetry: My Workshop Experience

On Developing My Poetry Journey by Roberta McDonnell

I just spent ten weeks under the online tutelage of celebrated Irish poet Kevin Higgins and I cannot tell you how transformative it was. Not only did we receive tremendous weekly prompts and expert edits from Kevin, but we were able to read each other’s work and the group members were so encouraging and informative that I feel like I have just been through an intensive, high level tutorial.

There are more online courses to come and anyone interested can sign up at the Over The Edge website. Kevin runs face-to-face courses in Galway Arts Centre as well and produces the fantastic monthly Over The Edge poetry reading events. You can sample some of his work in the book Identity Parade (just click on the link below or the image above) and in numerous books, journals and newspapers, including his own published collections.

For anyone interested in poetry writing, particularly if distance and finances are challenging, Kevin’s affordable online course is a brilliant opportunity to push your own envelope, get some expert feedback and some fabulous peer support. All with a bit of a start to perhaps your first collection, who knows? I for one can testify to the value of this kind of tuition and will keep going, spurred on by the great community at Over The Edge.

Image Link

The Galway Study: Creative Mental Health

Creativity and Social Support in #MentalHealth: Service Users' Perspectives, …by @mcdonneller #arts http://t.co/Mlq4UOvaqy via @SlideShare

— Roberta McDonnell (@mcdonneller) May 27, 2015

A summary and some interesting extracts. Do let me know if you have any questions or comments. Thanks, Roberta 🙂

Creative Mental Health: Ireland

    Creative Mental Health 

Something of a paradigm shift is underway in the mental health field, as I discussed in a recent post  about new thinking in psychiatry. Though not a psychiatrist, I have many years of experience as a mental health nurse and health researcher, some of which were spent with people suffering in acute wards, at other times alongside those struggling to invoke recovery in a community setting. These experiences, along with many other studies, can be read about in my current publication Creativity and Social Support in Mental Health: Service Users’ Perspectives (Palgrave 2014). Without exception I observed honest, courageous people using many creative means to rebuild their lives and a strengthened sense of self, finding to my amazement and delight that many other researchers and service user activists were describing similar findings and experiences. It was, then, with further excitement, that I came across the work of Professor Ivor Browne in Dublin and beyond.

Professor Ivor Browne

In Music and Madness, we get a tremendous insight and an engaging story of how life experiences, in combination with with a very creative and fearless thinker, brought the somewhat maverick but highly effective psychiatrist to carry out the extensive work of support, reform and community development that he has accomplished in Ireland and beyond, a legacy which is still vibrant and still very much in the making. As a citizen-wide mode of mental health promotion, community development is essential and shifts our thinking away from a culture of individualised pathology and into a sense of the relational nature of humans – we make each other and we make ourselves, it’s a dynamic, two-way process. I am planning future posts that will be based on interviews with people involved in community arts, mental health promotion and recovery support. In the meantime,  enjoy Professor Browne’s work through his books and some interesting programmes from RTE on the history of mental health care and treatment.

 

Music and Madness by Professor Ivor Browne