Dawn is coming: On Dune old and new

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My first reaction was ‘Oh No!’

I dreaded the day a Dune remake would appear because I cannot imagine anything better than David Lynch’s classic, if controversial, 1984 movie; nor can I see anyone supplanting Kyle MacLachlan as the young Paul Atreides.

And yet…since I saw the list of new cast and crew members, I am warming to the idea of a fresh incarnation.  No one forgets all the previous ‘Dr Who’ embodiments, after all, so why not anticipate the intrigue of a new Dune? With Blade Runner 2049‘s Denis Villeneuve in the director’s seat, excitement is mounting. And Call Me By Your Name‘s Timothée Chalamet will play the young Duke Paul, while Charlotte Rampling fills the role of Bene Gesserit Reverend Mother Gaius Helen Mohiam.

The Novels

I came to the novels after the film, an experience that, to begin with, actually enriched the film even more for me, then made me thirsty for more on-screen portrayals of the richly detailed sequels and back stories.

Themes that stood out to me in the books, much more than in any filmed versions so far, are the rich descriptions of the various ecologies of the planets, and the mind-bending cosmology and parapsychology of the navigators and the space they fold to enable instant transportation across distances of light years.

Herbert‘s imagination is captivating and the novels are a perfect combination of readability and sophistication. I think it’s time to re-visit the books and to build anticipation for a new dawn on a new Arakkis. Roll on Dune.

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The wild wood

I love this blog fifepsychogeography and this post particularly gripped me with its magical images that capture the wonderfully liminal quality of nature and even tumble down buildings being reclaimed slowly by the earth and it’s vegetation. The poetry has also distilled the intensity of the atmosphere – I found it to be of much comfort and inspiration as I struggle with some current health problems and with an awful brain fog. Thank you fifepsychogeography, I look forward to more 🙂

From Hill to Sea

Beyond the Hawthorn

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Beyond the hawthorn, lies the wild wood

“cuckoo, cuckoo”

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over the threshold

forms and colours

of the Otherworld

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… snake-eye stirs

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jaw click, snout

and a slither

of tongues

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threat or supplication?

paw or claw?

who  hears the cry

of the wild wood?

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no-one here

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anyone?

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the oracle

of the wood

whispers:

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… always the leaves

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Invitation to the light

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… always the light

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 ≈≈≈

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Hawthorn bushes and the call of a cuckoo conjure up the tale of Thomas the Rhymer a thirteenth century Scottish mystic, wandering minstrel and poet. Folklore tells of how Rhymer meets the Faery Queen by a hawthorn bush from which a cuckoo is calling. The Queen takes Rhymer on a journey of forty days and forty nights to enter the faery underworld.  Some versions of the tale say Rhymer was in the…

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Archetypes and Elixirs: A Jungian Perspective on Life as We Know It.

Image of flaming red liquid in a cocktail glass

Returning with the Elixir of Knowledge and Wisdom

One of the key themes in Jungian psychology is that of individuation, which is an expansive process involving realisation and manifestation of the archetypes within. Archetypal aspects refer to many different facets of the self’s potential, such as the Shadow, the Animus or Anima, the Wise Elder or the Trickster / Magician. Many of these inner selves are unconscious or undeveloped and only emerge when we are able to unearth their existence through various channels such as encounters, dreams and active imagination.

All cultures have notions of human personality and self, made up of multiple aspects, many of which are oppositional or paradoxical and often these various traits are personified into panthea of gods and goddesses or other equally varied groups of characters. Take, for instance, the ways in which each of the Graeco-Roman deities encapsulates a set of particular human strengths and weaknesses. For instance Athena is wise and just but also warlike and ruthless in certain circumstances. Apollo likewise brings illness but also healing in the form of the arts and muses.

 

Individuation – Incorporating the Archetypes

At the start of every human life there is a diffusion of experience, expression and personality. That complex cloud of embodied sensations in the world gradually becomes organised into patterns of thought, feeling and memory and infused into a sense of the individual self. While all these phenomena are shaped and informed by the physical and social environments around us, variously named and operationalised through culture, certain broad categories of experience and expression can be identified across humanity and according to Jungian thought, these constitute the archetypes. Archetypes are universal potentials for broad human drives, yet as potentials for patterning, they are manifest in ways unique to individuals and cultures, rather like the ways in which each snowflake is structured through certain rules of construction, yet no two snowflakes are the same.

Jung stressed that this individuation was not a materialistic ‘individualism’ but a spiritual quest, a journey, and one which required a certain amount of courage and determination to overcome fear and resistance within the self. It also involves the withdrawal of projections, in other words the taking of responsibility for our own lives and recognising the fact that our own growth is in our own hands. To incorporate the archetypes successively through the sequence of Shadow first, then Anima/Animus and beyond, entails as well a kind of accumulated knowledge or insight – the elixir of life, the wisdom of the ages. And that wisdom and insight is most beneficially directed at ourselves, as The Oracle reminded Neo in the very archetypal movie ‘The Matrix’.

We have helpers along the way, though, such as family, friends, inspirational leaders and authors, as well as examples to follow in the guise of totems, god-like and saintly figures and characters from myth and legend. We also have negative influences, sometimes within the established society and canons of accepted ideas and practices around us, sometimes within our circle of relationships, and sometimes within ourselves as internalised negative attitudes and inner critical voices.

The Hero’s Journey

Archetypes and Elixirs form the raw material of the hero’s journey, our journey. Our internal responses to events, characters and relationships in the world around us shape the person we become. Whether that is contracted, frozen and bitter or expanded, empathic and wise, is largely up to us.  The Archetypes are always there, waiting for us to awaken them, the Elixirs are ever-present and calling to be consumed. Taking the plunge can be the most difficult first move but also the most exhilarating. Starting with some dream delving is one way in, creative journaling another. Both of these techniques helped to jump-start my own journey, informed and motivated by reading the works of Dr Carl Jung and inspirational blogs such as Jean Raffa’s here on wordpress. Individuation is an act of self-creation and the creative potential is inherent in all humans. Any creative activity can get your individuating juices flowing, indeed creativity has been identified as a significant booster of mental health promotion and recovery.

 

Thanks for dropping by,

Enjoy the Journey 🙂

 

Flaming Elixir Image source Guest of a Guest website, New York  http://guestofaguest.com/wp-content/uploads/2010/11/red-snapper-210×300.jpg

Fascinating Mythical Creatures: Proteus

An amazing blog has come within my radar and I feel moved to share just one of the many fascinating posts from ‘Symbol Reader’. Capturing the depth of insight and inspiration that is possible when the symbolic aspects of life are delved into, this post on protean fluidity is particularly mesmerising. I hope you enjoy it and get as much out of it as I have. Thank you Symbol Reader 🙂

symbolreader

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image via http://www.deviantart.com/morelikethis/artists/244344135?view_mode=2

Proteus was a wise Greek sea god, a shape changer and a prophet. Pictured as fish-tailed, he was able to change himself into a lion, a serpent, a panther, a wild boar, a tree and flowing water. In order to get answers from him concerning the future, it was necessary to wrestle him and bind him, then wait patiently through all the transformations for the voice of prophecy. He is an image of something elusive, flickering and ineffable that wriggles shakes and transforms many times before it stabilizes as an image that can be comprehended by consciousness.

Image

Proteus is a great metaphor of working with archetypes and symbols. They are creatures of the deep ocean of the collective unconscious and this is where they feel best. They do not fare well in the world of hard matter or clear-cut mental distinctions. Out of water they may get…

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