Much has been written on The Matrix film trilogy, for instance in an intriguing account of the philosophical themes which the film delves into, author Roman Meinhold asserts that we are challenged by the content of the film to think philosophically about our human existence and the nature of reality.
While philosophical and socio-political interpretations are interesting and no doubt valid, I have found myself drawn to an interpretation that favours depth psychology. Watching the full trilogy for about the third or fourth time within a couple of years, a number of ideas struck me about the meanings held within the film. Firstly, it has all the hallmarks of a fairy tale from the perspectives of Bettleheim and von Franz, detailed more fully in a previous post. As such it represents an inner quest and the various realities in the film equate with levels or stages of consciousness and maturation in the human psychological Self.
While the majority of humans’ real bodies are anaesthetised in energy farms for the maintenance of the super machines who now rule the scorched earth, their life experience is a simulated virtual reality, a set of complex computer programmes called the Matrix and run by the machines. Some humans in their Matrix identity sense something is wrong with the world and they seek answers. These renegades are detected eventually by special programmes called Agents and usually destroyed.
Some humans have escaped the pod farms however and live as a besieged community in an underground sanctuary called Zion. The hero Neo is contacted by two of these ‘real’ humans, Morpheus and Trinity, who offer him the chance to escape ‘into the real world’. One of the most electrifying dialogues in cinema has to be when Morpheus gives Neo the option of going back to the Matrix, innocent of any of the previous insights, or to continue with the quest and push into the real world, no going back – the blue pill or the red pill? The Matrix as a film and a philosophical statement challenges our ability to perceive reality. It also suggests that social consensus and popular culture may be deceptions that mask our true nature and divorce us from the vitality of the body.
In one sense then it is a treatise on ‘living in our heads’ too much, cut off from the authenticity of the embodied self. The ‘real’ humans live deep in the earth in Zion and thus are connected with the source of life. They scratch a living in their grubbiness and in their make-do environment, yet are authentic and real in their experiences, contrasting with the Matrix selves who have all the trappings of modernity but are trapped and constrained by their fabricated world.
Morpheus is the messenger and a ‘John the Baptist’ figure, totally convinced that Neo is the One, prohesied to save humanity and end the war with the machines. He is also something of a therapist character as he challenges Neo’s reality and lures him ‘down the rabbit hole’.
Neo is the hero, unsure of his path but following his gut, even when he has to challenge both the prophesy and the Oracle.
The Oracle, though a programme, is an entity personified in a female figure of the wise woman. Like a positive anima, she enlightens, guides and creates opportunities for Neo to realise his destiny, or to make his choices as he sees fit – the anomaly is never really resolved except that Neo does break the mould and act on his own principles – eventually going to the machines to broker a mutual collaboration and thus stop the war. It is through an intense personal connection that Neo achieves his ultimate redemption, as he is in love wtih his other rescuer, Trinity.
Both Trinity and the Oracle seem to me to personify two sides of Neo’s own anima – romantic love and maternal love.
The Hero’s Journey
During the course of the story, Neo goes through several stages that could be equated with the hero’s journey. First, he is unsettled and questing in his previous life in the Matrix. This is how he is detected by Morpheus and Trinity as he attempts to hack into the Matrix programmes. As Morpheus tells him, he is trying to ‘wake up’, a wonderful metaphor for the unease that often drives a person into therapy or some sort of self-reflective journey – “you feel something is wrong, it brought you to me” he says. The Matrix, explains Morpheus, is “the world that has been pulled over your eyes to blind you.” To take the red pill is to embark on the journey from which there is no turning back.
Neo takes the red pill and erupts into his body in the real world, in a pod on an energy farm, plugged into the system of cables that draw the energy from his body and feed the virtual reality of the Matrix into his brain. Rescued by Morpheus and Trinity and taken to Zion, Neo is effectively a newborn and must re-learn who he really is, not unlike the catharsis of therapy and self-discovery. This is, I think, the central message of the Matrix films, encapsulated in the Oracle’s kitchen wall plaque – Know Thyself – a great Jungian theme on which to conclude.
Morpheus Image citation: http://www.casescorner.com/id57.html
Matrix Image citation: http://scipp.ucsc.edu/~haber/ph116A/
Philosophical citation: http://www.roman-meinhold.com/matrix.pdf