Dawn is coming: On Dune old and new

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My first reaction was ‘Oh No!’

I dreaded the day a Dune remake would appear because I cannot imagine anything better than David Lynch’s classic, if controversial, 1984 movie; nor can I see anyone supplanting Kyle MacLachlan as the young Paul Atreides.

And yet…since I saw the list of new cast and crew members, I am warming to the idea of a fresh incarnation.  No one forgets all the previous ‘Dr Who’ embodiments, after all, so why not anticipate the intrigue of a new Dune? With Blade Runner 2049‘s Denis Villeneuve in the director’s seat, excitement is mounting. And Call Me By Your Name‘s Timothée Chalamet will play the young Duke Paul, while Charlotte Rampling fills the role of Bene Gesserit Reverend Mother Gaius Helen Mohiam.

The Novels

I came to the novels after the film, an experience that, to begin with, actually enriched the film even more for me, then made me thirsty for more on-screen portrayals of the richly detailed sequels and back stories.

Themes that stood out to me in the books, much more than in any filmed versions so far, are the rich descriptions of the various ecologies of the planets, and the mind-bending cosmology and parapsychology of the navigators and the space they fold to enable instant transportation across distances of light years.

Herbert‘s imagination is captivating and the novels are a perfect combination of readability and sophistication. I think it’s time to re-visit the books and to build anticipation for a new dawn on a new Arakkis. Roll on Dune.

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Farewell Maestro #DavidBowie

Album Cover, Hunky Dory, contains song Changes

David Bowie on Hunky Dory album cover

Saddened by the passing of my all time favourite artist David Bowie, I’ve been looking back over my old posts and collections, celebrating his work and asking myself ‘What did David Bowie and his work mean to me?’

A series of images, tunes and words spring to mind. Here are just a few of them.
Youthful yet ageless, renowned yet humble, epitome of fearlessness, imagination, glam rock, the seventies, the eighties, colour, metallic, snazz and pizzazz, style, freedom, inventiveness, creativity, oxygen, emotion, sophistication, underground, challenge, way out, pure artistry. A while back I expressed my love of Bowie’s portrayal of the central character in the film ‘The Man Who Fell To Earth’. To complete my hymn to our departed hero I have included that post as an appendix to this one. With thoughts and meditations towards his grieving family, I add

>>Rest in Peace Maestro and Thank You for the Music<<

 

 

Here’s an earlier blog post:

Falling Into Life: David Bowie as Archetypal Energy

Famous for his shapeshifting and experimental, entrancing songs, David Bowie’s role in the film The Man Who Fell To Earth is rarely noted nowadays. For me this is one of his finest pieces of work, alongside the song Changes from the 1971 Hunky Dory album. As a rare example of a movie that closely mirrors the book, Walter Tevis’s novel of the same name published in 1963 tells the story of a Martian who comes to earth to find a way to save his planet, his species and his own family. Bowie captures perfectly the loneliness and at times despair of the alien as he tries to make himself understood by the people he becomes involved with on earth. There is always an archetypal quality to Bowie’s work and in this role, he seems to me to mirror the Jungian process of  individuation, that always requires some kind of descent into the unknown and often alien realms of the  unconscious.

Other symbols of a pending descent into the inner world include dreams of stairways down to a cave or basement, or sliding into a lake or ocean. The classic example is Lewis Carrol’s Alice in Wonderland, whose descent down the rabbit hole and encounters with numerous archetypal characters represent the way in which humans can grow through encounters with the unconscious (see Clifton Snider’s article at http://www.csulb.edu/~csnider/Lewis.Carroll.html ).

Ancient myths also reflect this theme, like Orpheus in the underworld and Persephone’s cyclical return. But the ultimate goal of descent is to touch base in some way before returning to the world a more expanded and integrated person, like the hero returning with the elixir of life or as Jung expounded, the alchemist finding the lapis lazuli.

While not everyone’s cup of tea, The Man Who Fell To Earth gives me a sense of the ultimate creativity of the hero’s journey and takes the sting out of uncertainty and change, for though the hero may not achieve his or her initial plans, they often find connections and meaning in the new world, so that ultimately it is the journey, not the destination that matters.

What does David Bowie mean to you?

Rooting for Wild: A Tribute to Book and Film

2015/02/img_1475.jpgMay14 007

I love walking, especially in the Mourne Mountains with my husband Fintan. Reading about walking cheers me too, especially blogs like 30 ways of walking and Rebecca Solnit’s book Wanderlust, as I noted in early posts.

Imagine how delighted I was to find Cheryl Strayed’s book Wild . It is well worth catching up with for the intensity of experience and the magnificence of nature described by this great author. Her references to poetry and literature as inspirational resources resonate with me too, as I’ve mentioned before.

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Tied in with her extreme hike (like most walkers) Strayed found herself on an inner journey as well. Though I’m no real hiker, sticking to a few hours or maybe a day and certainly no camping rough, I too find a form of therapy and restoration in walking. It’s the rhythm of the tramp, the exercise, the fresh air, the daylight, the space to breathe and think and feel.

We caught the movie recently too and I commend Reese Witherspoon- she did a wonderful job and really got the emotion across as well as the gruelling physicality of the role. Wild certainly deserves some Oscars – I’m rooting for Wild.

Archetypes and Elixirs: A Jungian Perspective on Life as We Know It.

Image of flaming red liquid in a cocktail glass

Returning with the Elixir of Knowledge and Wisdom

One of the key themes in Jungian psychology is that of individuation, which is an expansive process involving realisation and manifestation of the archetypes within. Archetypal aspects refer to many different facets of the self’s potential, such as the Shadow, the Animus or Anima, the Wise Elder or the Trickster / Magician. Many of these inner selves are unconscious or undeveloped and only emerge when we are able to unearth their existence through various channels such as encounters, dreams and active imagination.

All cultures have notions of human personality and self, made up of multiple aspects, many of which are oppositional or paradoxical and often these various traits are personified into panthea of gods and goddesses or other equally varied groups of characters. Take, for instance, the ways in which each of the Graeco-Roman deities encapsulates a set of particular human strengths and weaknesses. For instance Athena is wise and just but also warlike and ruthless in certain circumstances. Apollo likewise brings illness but also healing in the form of the arts and muses.

 

Individuation – Incorporating the Archetypes

At the start of every human life there is a diffusion of experience, expression and personality. That complex cloud of embodied sensations in the world gradually becomes organised into patterns of thought, feeling and memory and infused into a sense of the individual self. While all these phenomena are shaped and informed by the physical and social environments around us, variously named and operationalised through culture, certain broad categories of experience and expression can be identified across humanity and according to Jungian thought, these constitute the archetypes. Archetypes are universal potentials for broad human drives, yet as potentials for patterning, they are manifest in ways unique to individuals and cultures, rather like the ways in which each snowflake is structured through certain rules of construction, yet no two snowflakes are the same.

Jung stressed that this individuation was not a materialistic ‘individualism’ but a spiritual quest, a journey, and one which required a certain amount of courage and determination to overcome fear and resistance within the self. It also involves the withdrawal of projections, in other words the taking of responsibility for our own lives and recognising the fact that our own growth is in our own hands. To incorporate the archetypes successively through the sequence of Shadow first, then Anima/Animus and beyond, entails as well a kind of accumulated knowledge or insight – the elixir of life, the wisdom of the ages. And that wisdom and insight is most beneficially directed at ourselves, as The Oracle reminded Neo in the very archetypal movie ‘The Matrix’.

We have helpers along the way, though, such as family, friends, inspirational leaders and authors, as well as examples to follow in the guise of totems, god-like and saintly figures and characters from myth and legend. We also have negative influences, sometimes within the established society and canons of accepted ideas and practices around us, sometimes within our circle of relationships, and sometimes within ourselves as internalised negative attitudes and inner critical voices.

The Hero’s Journey

Archetypes and Elixirs form the raw material of the hero’s journey, our journey. Our internal responses to events, characters and relationships in the world around us shape the person we become. Whether that is contracted, frozen and bitter or expanded, empathic and wise, is largely up to us.  The Archetypes are always there, waiting for us to awaken them, the Elixirs are ever-present and calling to be consumed. Taking the plunge can be the most difficult first move but also the most exhilarating. Starting with some dream delving is one way in, creative journaling another. Both of these techniques helped to jump-start my own journey, informed and motivated by reading the works of Dr Carl Jung and inspirational blogs such as Jean Raffa’s here on wordpress. Individuation is an act of self-creation and the creative potential is inherent in all humans. Any creative activity can get your individuating juices flowing, indeed creativity has been identified as a significant booster of mental health promotion and recovery.

 

Thanks for dropping by,

Enjoy the Journey 🙂

 

Flaming Elixir Image source Guest of a Guest website, New York  http://guestofaguest.com/wp-content/uploads/2010/11/red-snapper-210×300.jpg

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